备注：已完结
类型：恐怖片
主演：斯蒂格·亨里克·霍夫
语言：其它
年代：未知
简介：一个连环杀手连续13个冬天在圣诞节前夕行凶，马上就要圣诞节了，调查人员与时间赛跑，争分夺秒想要弄清楚这位圣诞杀手的下一个目标是什么。
备注：已完结
类型：剧情片
语言：其它
年代：未知
简介：The film is set in southern Georgia, which until the end of XIX century was dominated by the Ottoman Empire. The tragic time to be born people of high strength of spirit, such as Antimoz Iverieli - the philosopher-educator. Having experienced in childhood cruelty and injustice, it becomes the path of serving others. Having been removed by the Turks in Romania, a hero at any cost wants to return home. However hard and long this way. Sentenced to death, Antimoz remains in the memory of his countrymen champion of justice.
备注：已完结
类型：科幻片
语言：英语
年代：未知
简介：In this futuristic science fiction thriller, government security agent Jerry Hipple has been unsuccessfully tracking the city's most infamous criminal The Red Harvest Killer. When two nomadic lovers, Katia and Gladys enter the city the death count rises and are being credited as Red Harvest killings. Obsessive compulsive Adrian, the actual Red Harvest Killer becomes furious that the sexy serial killing duo are grabbing media attention under his alias. Not only does Adrian attempt to reclaim his rightful reputation but he also decides to cleverly aid his detective counterpart through the case. All the while, killers and victims alike are unaware the world is about to reach an abrupt catastrophic ending.
备注：已完结
类型：爱情片
语言：英语
年代：未知
简介：迪兹（亚当·桑德勒 Adam Sandler 饰）是一个来自于偏僻小镇的平凡的轻人。某一日，一笔从天而降的巨款结束了他平静的生活。原来，迪兹病重的叔父是一个有钱有势的超级富豪，经营着价值400亿的传媒公司，不久于世的他将公司作为遗产赠送给了迪兹，同时也引出了一个有笑有泪的喜剧故事。 成为了亿万富豪后，善良的迪兹并没有改变自己行为处事的方式，利用这笔珍贵的财富，迪兹为小镇做了许多善事，他的诚恳为他赢得了人气和尊重。但并不是每一个人都像迪兹一样善良坦诚，贝碧（薇诺娜·瑞德 Winona Ryder 饰）就是其中的一个。受上司所托，她隐藏真实目的来到了迪兹的身边，企图挖到什么不得了的猛料，但随着时间的推移，她发现迪兹不仅是一个真正的正人君子，还是一个难得的值得托付终身的好男人。
备注：已完结
类型：喜剧片
语言：英语
年代：未知
简介：Justin Long and Emmy Rossum are star-crossed lovers whose relationship blooms and unravels over the course of six years in this mysterious, dazzlingly original romance. When a chance encounter brings together the cynical Dell (Long) and the quick-witted Kimberly (Rossum), the stage is set for a tempestuous love affair that unfolds like a puzzle. As the film zigzags back and forth in time-from a meteor shower in LA, to an encounter in a Paris hotel room, to a fateful phone call-an unforgettable portrait of a relationship emerges. Sumptuously shot and boasting incredible chemistry between the leads, Comet is a one-of-a-kind cosmic love story.
备注：已完结
类型：剧情片
语言：其它
年代：未知
简介：The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
