备注：已完结
类型：欧美剧
主演：维拉·法米加 切莉·琼斯 罗伯特·派恩 小科尼利厄斯·史密斯 朱莉·安
语言：英语
年代：未知
简介：该剧改编自Sheri Fink的同名纪实文学，讲述新奥尔良一家医院里精疲力竭的护理人员在风暴过后被迫做出令人心碎的决定的故事。 在卡特里娜飓风席卷新奥尔良后，当时新奥尔纪念医疗中心遭受洪水泛滥、电力中断、气温急升等问题，而医务人员在这种恶劣环境下被迫作出困扰他们未来多年的选择。医院最终有40名死者，其中有些患者被认为无法活下去，故安排了安乐死。
备注：已完结
类型：动作片
主演：库尔特·拉塞尔 威廉·鲍德温 罗伯特·德尼罗 唐纳德·萨瑟兰 詹妮弗·
导演：朗·霍华德
语言：英语
年代：未知
简介：史蒂芬（威廉·鲍德温 William Baldwin 饰）和布莱恩（库尔特·拉塞尔 Kurt Russell 饰）是情同手足的兄弟，他们的父亲是一名消防员，在一场救火行动中不幸牺牲，虽然史蒂芬和布莱恩为他们的父亲感到骄傲，但同时亦对消防员这份职业多了几分埋怨。 长大之后 ，史蒂芬继承了父亲的遗志亦成为了一名消防员，受父亲的影响，史蒂芬每次执行任务时都不顾自己的死活，竭尽全力，他的不管不顾让他和妻子之间的关系变得非常的紧张。布莱恩和史蒂芬恰恰相反，因为曾经目睹了父亲的死亡，所以布莱恩对火非常的恐惧。城市里出现了一位恶名昭著的纵火犯，警官唐纳负责调查此案，布莱恩则成为了他得力的助手。
备注：已完结
类型：喜剧片
主演：罗伯特·德尼罗 米歇尔·菲佛 迪安娜·阿格隆 约翰·德利奥 汤米·李·
导演：吕克·贝松
语言：英语
年代：未知
简介：法国一个宁静的小镇，某个夜晚搬来了布莱克一家：男主人弗莱德（罗伯特·德尼罗 Robert De Niro 饰）、妻子麦姬（米歇尔·菲佛 Michelle Pfeiffer 饰）以及他们的儿女瓦伦（约翰·德利奥 John D'Leo 饰）和贝尔（迪安娜·阿格隆 Dianna Agron 饰）。他们看似与其他的美国人没什么两样，然而一系列出格的举止却不得不让人对他们刮目相看。原来弗莱德的真实身份是历史悠久的黑手党家族曼佐尼的一员，为躲避追杀他在FBI探员罗伯特·斯坦菲尔德（汤米·李·琼斯 Tommy Lee Jones 饰）的安排下多次搬家。 看似惬意舒适的隐居生活危机四伏，背负着背叛家族罪名的弗莱德终将迎来夺命杀手的拜访……
备注：已完结
类型：喜剧片
导演：布莱恩·德·帕尔玛
语言：英语
年代：未知
简介：In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
